JoJo Siwa Claims Dislike Victory Over Taylor Swift, Katy Perry and Ariana Grande
JoJo Siwa is celebrating a peculiar victory: her latest single, "Karma," has garnered the most dislikes of any female artist's music video in 2024, surpassing even Taylor Swift, Katy Perry, and Ariana Grande.
Siwa, known for her vibrant personality and colorful outfits, showcased this unconventional win in a TikTok video posted Thursday. Sporting a bedazzled construction vest, she animatedly read aloud a list of the most disliked music videos from female artists this year.
According to Siwa's data, corroborated by an online dislike viewer, Grande's "Yes, And?" amassed 290,000 dislikes, while Perry's "Woman's World" attracted 330,000 dislikes. Notably, Perry's song, produced by Dr. Luke, has seen its dislike count climb to an estimated 550,318 as of press time.
Siwa then revealed that Swift's "Fortnight" had garnered 350,000 dislikes since topping the Billboard Hot 100 in May. Finally, she dramatically announced that her own "Karma" had earned a staggering 3.1 million dislikes, surpassing all other contenders by a significant margin.
"I am the only person that can say I beat Taylor Swift on a list of something," Siwa declared with a shrug, adding, "I'll take it."
Siwa's playful approach to this unusual triumph reflects her ability to find humor in even the most unexpected situations. The "Karma" single, released in April, has been met with mixed reactions, generating numerous memes and even a parody sketch on "Saturday Night Live."
Despite the polarizing response, Siwa maintains a positive outlook, viewing the overwhelming number of dislikes as a sign of her song's impact. She sees it as a unique form of success, proving that "Karma" is resonating with audiences, even if it's not always in a positive way.
"WHAT A DAY TO CELEBRATE. KARMA BROKE A RECORD. 900% MORE THAN 2ND PLACE. A WIN IS A WIN," Siwa captioned her TikTok video, embracing the absurdity of her achievement.
As she continues to forge her own path in the music industry, Siwa's unconventional approach to success highlights her resilience and willingness to laugh at herself, even amidst criticism. Her embrace of "gay pop" as a genre and her unique perspective on popularity demonstrate her unwavering commitment to individuality and authenticity.
